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Inside was a copy of Bob Stroud's latest Rock 'N Roll Roots CD - Volume 9 - which has been for sale in Borders Book Stores in the Chicago area for a couple of weeks now.
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The show focuses on the music that made an impact on the Chicago AM & FM dials in the 60s and 70s. The stuff I heard growing up in suburban Chicago.
The show is a labor of love for Stroud - something he started after joining Chicago's WMET in 1979. A history of Bob's journey up and down the dial is documented here.
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The album artwork is excellent too - acknowledging Chicago's musical heritage. Inside - the liner notes document the airplay each song received on the local airwaves back in the day. Very cool!
Bob explained the process to me in a recent email:
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"We work with SRO in Minneapolis who do all the leg work of tracking down the songs and their publishers. Each year we press up 5,000 copies and retail them at Chicagoland Borders locations. When they're gone, they're gone. I've seen Volumes 1 through 3 goes as high as $75 on E-Bay! Previous Volumes are also for sale through sellers on Amazon."
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Since 2002, WDRV has donated at least $60,000 to charities from sales of the Rock & Roll Roots CDs - and each year its been a different charity:
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"Children's Home + Aid offers music lessons, amongst many other academic offerings to children who come from needy families. They are also the charity that has been closely associated over time with this year's corporate sponser, Merlin's 200,000 Mile Shops."
Congrats to Bob and the staff at WDRV. The CD is not only a great charity project - but one that reinforces the passion for the station's music and its relationship with audience and the City of Chicago.
I've observed (from afar) others attempting to duplicate WDRV's format in other markets - even calling their station "The Drive". And most have failed - not understanding the attributes that have made WDRV a success.
And the first mistake imitators make is using the name "The Drive"; its a name that is uniquely Chicago and loses all significance almost everywhere else. There's only one "Drive".
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And the first mistake imitators make is using the name "The Drive"; its a name that is uniquely Chicago and loses all significance almost everywhere else. There's only one "Drive".
4 comments:
Apparently, the people who created The Drive don't understand the attributes that have made the station successful. Bonneville tried to adapt the formula in San Francisco and failed miserably.
I'm sure there were lessons learned with the San Francisco effort; but even though it was a co-owned station, its unfair to those who created the concept in Chicago.
The same people who created the concept in Chicago put the San Francisco Drive on the air...Greg Solk and John Parikhal were both involved. Maybe they didn't do sufficient market research to find out if there was a hole for it in this area.
What we don't know is what part of the decision process Greg Solk and John Parikhal played in launching "The Drive" in San Francisco.
It could have been as simply as someone in corporate - or even local San Fran management deciding the format would work there - with Solk and company charged with putting it in place.
I believe what hurt its chances in San Francisco had everything to do with KFOG - a AAA station that plays a fair amount of softer classic rock tunes.
Very unlike Chicago and WXRT.
It would have taken a long time for any success in San Francisco with KFOG well-established. Was this known going in? We might never know (but if I do ever get a change to ask...).
My two cents. I could be wrong.
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